Monday, June 22, 2015

Three Ways to Collaborate as a Ghostwriter

by Graciela Sholander
This post originally appeared on Ghostwriting Plus.

I have ghostwritten over 25 books for a number of clients, including doctors, lawyers, and motivational speakers. Today I want to share with you three effective ways you can collaborate with your client.

1. Rewrite a Raw Manuscript

These days, this is my favorite way to ghostwrite a book. If your client has written most or all of her manuscript, you’re in a great position to help her reach the next level. She’s written down her ideas. Now it’s your turn to do your magic.

Starting with what she’s put together, rework it to produce the most engaging, professional product possible. Hack away! Create new chapter titles and section headers. Rewrite to your heart’s content. Remove redundancies. Expand points. Add anecdotes and examples to support her points.

Keep the main messages, and make sure your client’s voice comes through. But use your own savvy to rework the manuscript, transforming it from amateurish to a highly professional work of art, with every sentence a joy to read.

2. Write a Manuscript from Interviews

At the other end of the spectrum is the client who has written nothing and has a million ideas floating in his head. He’s brilliant, and his ideas are worth sharing with readers, but as soon as he tries writing anything down, he loses them. He’s an eloquent speaker, not a writer.

In this case, schedule a series of interviews. They can be conducted in person, by phone, or through Skype. I interview clients by phone, and since I’m a fast typist I go ahead and type what they say, creating a written record in real time. This saves me the expense and extra step of having an audio interview transcribed. Then as I piece together a manuscript from scratch, I simply copy and paste sections from the written record, rewriting and expanding them as needed.

By the way, in this case it’s a good idea to charge separately for the interviews. I typically charge clients a per-page rate for ghostwriting plus a per-hour rate for phone interviews.

3. Piece Together What You’ve Been Given and Gather More

In this approach, the client has some material to give you. For example, she might hand you 19 pages she’s written with rough ideas for her book, plus five articles published about her in different magazines, and two YouTube videos of her being interviewed on the subject you’ll be ghostwriting about.

Your job is to take this hodgepodge and incorporate it into a new work. In addition, you’ll need to figure out what’s missing and schedule a few interviews to gather more information.

Since I enjoy writing a hundred times more than I enjoy talking, I try to conduct email interviews whenever possible. This won’t work for clients who love to talk and hate to write. It does tend to work for very busy professionals, though, since they can sit down and address your emailed questions at their leisure.

When I conduct email interviews, I do not charge extra. I charge only a per-page fee for ghostwriting the manuscript.


Graciela has been a professional writer for 21 years and focuses on ghostwriting, editing, proofreading, articles, social media, marketing, and website content. She is also the co-author of Dream It Do It: Inspiring Stories of Dreams Come True, a motivational self-help guide.

Monday, June 1, 2015

Book Spotlight: "Business Writing Today: A Practical Guide"

This week, we caught up with author Natalie Canavor, whose new book, Business Writing Today: A Practical Guide, is out now.

Business Writing Today is a self-help book for people who want to write better at work. Canavor, who has written several books on this topic, is brimming with great ideas and strategies to improve your business communication. Check out her take on business writing in the digital era in our special Q&A.  

GG: What made you want to write this book, and who is the target audience?
NC: Research, and my own experience, tells me that most young people today write badly. Few are able to figure out what to say, and even fewer are able to say it well. This hurts them when they compete for career opportunities, and if they are hired, most don’t function as well as they could. But it isn’t just young people’s poor writing that produces a huge problem for today’s organizations; most business communication is awful. This results in very expensive mistakes, misunderstandings, and unnecessary conflicts.

Business Writing Today is a self-help book for people who want to improve their everyday writing—emails, resumes, elevator speeches, proposals, blogs, and so on—in order to get what they want.


Why do good writing skills matter in today’s digital marketplace?
In the digital world, so much depends on writing. You won’t get in many doors without a good elevator pitch, resume, proposal, sales letter, blog, and/or networking message. In a world where we meet less and talk less, we make decisions and judge others based on their writing.

And there are no captive audiences anymore. Surrounded by so much to read, so much media, we are all extremely selective. If we want to be read, the academic models most of us learned in school don’t work. Good business writing isn’t about strict correctness and impressive language. It’s about knowing how to attract and hold your audience. It’s about understanding other people’s viewpoints. It’s about building relationships.


Can you share a tip or two from your book?
Here are two of my favorites.

Before writing a message, visualize whom you’re writing to. Hold a mental conversation. If you’re asking for something—which, in a way, every message does—“hear” the other person’s reservations and think about how to answer them. Then when you write, you’ll almost automatically adopt the right tone, know the best content to use to make your case, and be able to frame your message to that individual. Always figure out why someone should give you what you want, from his or her perspective rather than your own, and then write from that understanding.

On a micro level: After you’ve drafted your message, look at each sentence (or say it aloud). When you find more than one “of,” “to,” “in,” “for,” or “that,” or more than a single word ending in -ing or -ed or -ious or -ly, rewrite the sentence so there is only one. (Or two, if you absolutely can’t help it.) This is a surefire way to edit yourself out of abstract, wordy, dishwater-dull writing. Simple words and present tense usually solve the problem. To avoid a choppy rhythm, alternate long and short sentences for a cadence that carries people along.


What are some additional resources for those who want to learn more about business writing?
Everyone should read William Zinsser’s On Writing Well. He makes the best-ever case for clarity, conciseness, and simplicity in all writing. Of course, I’d like it if people checked out my other books as well! In addition to Business Writing Today (which is a second edition of Business Writing in the Digital Age), there’s Business Writing for Dummies and The Truth About the New Rules of Business Writing, which delivers the ideas in 52 bite-sized pieces.


Natalie Canavor is a business writer, journalist, and communications consultant. She gives workshops on practical writing and workplace communications. Natalie also teaches advanced writing seminars for grad students in PR/Corporate Communications and young professionals at NYU.