Two for Tuesday just wouldn't suffice...
- Not sure how to grasp the voice of a faraway client? Speechwriter Colin Moorhouse recommends perusing the principal's last three speeches, and opting for terse sentences in the active voice
- When it comes to proofreading, Ragan suggests a game plan: clear your desk, proof from back-to-front, and always enlist a second set of eyes
- Wondering how to close a speech? Nick Morgan encourages you to get your audience engaged and out of their seats with a short group activity
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