Showing posts with label literary agent. Show all posts
Showing posts with label literary agent. Show all posts

Monday, July 8, 2013

Guest Post: Amazon's White Glove Publishing Service

by Andrew Crofts

There are any number of ways that a book can stumble on its journey from your brain to your readers’. One of the most common blockages is with the literary agent. Your agent loves your book and is confident she can sell it—but six months later she has failed to get a publisher on board.

But what if an agent who is keen on a book were in a position to “publish” it herself? Amazon has spotted this niche, and is now offering a service called White Glove. In this arrangement, the agent does all the liaising with Amazon and helps with the publishing process, and then she gets her standard 15 percent of anything the author earns from the deal.

Why partner with an agent when it’s not hard to do the self-publishing thing yourself? For one thing, it is so much better to have someone else who believes in your book, agrees to put time and effort into its publication, and generally shares the ride. In addition, a book’s chances of success are vastly improved if someone other than the author is behind it. If an agent does this for you, you have already gotten your first endorsement.

Last year I wrote a novel called Secrets of the Italian Gardener, set inside the palace of a dictator about to be overthrown in the Arab Spring. The narrator is a ghostwriter who, while writing a book for the dictator, meets a wise, elderly Italian gardener who gradually unravels the story of who really holds the power and wealth in this world. As the rebels draw closer to breaching the palace walls, the ghostwriter is also struggling with his own breaking heart.

I sent the manuscript to someone at United Agents, one of the biggest agencies in London, whom I have known for many years, and he came back brimming with enthusiasm. He wanted no rewrites, and he was sure he could sell the project.

Six months later, he had failed to convince any publishers. In the old days, that would have been the end of the story. But we turned instead to Amazon’s White Glove service.

Highly skilled Amazon staff did all the heavy lifting to get the book up onto the site, ready for print-on-demand as well electronic publication. It became a team effort rather than a lone author’s voice in the crowd, and should the book start to gain traction in the marketplace, the agency is already fully engaged and ready to handle the business side of taking it to the next level.

The book is now available on Amazon, and it has been a terrific experience all around. I am keen to see where things will go from here.


Andrew Crofts is a ghostwriter and author who has published more than eighty books, many of which were Sunday Times bestsellers, and has guided a number of international clients through the minefield of independent publishing. He has spent much of his career among dictators, politicians, arms dealers, and billionaires, passing time in their lavish palaces and heavily guarded compounds in the wildest parts of Africa, Asia, and the Middle East, as well as in tax havens like Monaco, Bermuda and the Caribbean. He lectures about making a living from writing at Kingston University and frequently guests at writing workshops, literary festivals, and in the media. He blogs regularly on matters pertaining to publishing, self-publishing and writing. Find him at www.andrewcrofts.com.

Tuesday, June 5, 2012

Tips to Die for. . . from Our "Killer Book Proposal" Workshop

In today’s competitive publishing world, you not only have to be a fantastic writer, you also have to learn to think like a marketing and PR executive. That was the key takeaway from the workshop we presented last week in conjunction with ASJA: “How to Write a Killer Book Proposal… For a Dead Tough Market.” Leading the conversation were veteran literary agent Marilyn Allen, bestselling author and freelance editor Bev West, and Gotham President Dan Gerstein.

Marilyn and Bev both agreed that the book market isn’t dead, but it is in a state of flux. Although it seems like advances are shrinking, editors are getting laid off by the score, and acquisitions are stalling all around, the truth is, if you know how to properly navigate the new publishing climate, there are more opportunities than ever to get your voice heard and back up your book ideas with solid market research that commands top dollar. The best news? Marilyn reported that last fall and spring she sold more books than ever.

So how do make sure your proposal gets to the top of the pile? Here are some tips from our panelists.

Before you type your first line…
Do your research and gather the data that you need to prove your market. Bev emphasized that one of the most important decisions to make before you ever set pen to paper is to clarify your brand message and define your target audience. Who are you writing for? What is the central message you’re trying to convey, and why will it appeal to your target audience? What’s already selling in your space, and what’s fresh about your project that those books don’t offer? Marilyn suggested reading the reviews of competitive titles to see if there are needs that aren’t being met. If you want to write a book about honey and you learn that readers of the bestselling honey books complained that they all lacked recipes, that’s your cue to write a book that includes honey recipes.

Be the whole package: “hook, book, and cook”
Marilyn said that when she’s considering taking on a project or client, she’s not just looking at the quality of the writing, she’s looking at the whole package. The hook: Why is this book about trees different than all the hundreds of other books about trees? The book: What is in this book that we a haven’t read before? The cook: What makes you the right person to write this book? Bev and Marilyn both agreed that building a platform that illustrates your unique expertise and your connections with your target audience is more important than ever in today’s market.

Get to know social media make the internet your BFF
We’re living in an internet-driven world. If you don’t have a social media presence, you might as well forget about getting a nonfiction project published. Bev said that agents and publishers look for a platform first. Before they even read a proposal, they check out your blog, your social media following, and how large your online footprint is. Marilyn suggested approaching your target community as if you’re networking at a cocktail party. Start by posting your content—and make sure you have something to say—and then mingle with your audience. Don’t neglect SEO when tagging blog posts—you want your audience to be able to find you. And remember: the internet is dynamic, not static, so you need to update your content and engage your audience regularly. Marilyn described how she found one of her latest projects, a book about Pinterest, by seeking out the “expert” who was blogging about it the most and the loudest. This level of audience engagement is very labor-intensive and can seem overwhelming. Dan suggested that one way to save time and energy is to tap into the glut of under-employed twenty-somethings and outsource the job of generating content to them.

Finally, here are ten tips for a pitch that packs a punch:
1. Start with a bang. Jump right in and keep them wanting more.
2. Provide a market overview with strong ad copy. Make it smart, funny, and relevant.
3. Describe your target audience: What are they like, what are they looking for, how are you connected to them already, and what’s your plan to engage them further?
4. Show that you already have a platform and access to your audience.
5. Sell yourself as part of your book package.
6. Do your competitive title analysis right. Don’t ever compare your project to Eat Pray Love or Marley and Me—name-dropping bestsellers is a sure sign of an amateur. Choose perennial favorites and align yourself with books that have staying power.
7. Make sure your chapter outline demonstrates the shape and arc of your book. Include sound bites and emphasize the hook.
8. Make sure your sample chapter(s) show off your voice and give a sense of what differentiates your content from the rest.
9. Be succinct and efficient: engage, educate, and entertain. Have empathy for the person who’ll be reading your proposal, and remember that yours isn’t the only proposal in the world.
10. Be professional. Make absolutely sure your proposal is proofread and typo-free. Avoid unnecessary bells, whistles, and nontraditional formatting.

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The whole workshop is available as a streaming webcast over on the ASJA portal site. Check it out!